Can the cinema save the world?
MAXIMILIAN obuszewski<mobuszewski2001@comcast.net>
On September 4, Janice and I watched Irene's Vow on Netflix. It tells a version of the life of Irene Gut, a Polish nurse. Just before Hitler and Stalin decided to carve up Poland, she enrolled in nursing school. While she was hiding during the invasion, Russian soldiers discovered her and she was beaten and raped. Later she was forced to work in a munitions factory during the German occupation. During the occupation, the law was that if a Pole helped a Jew, s/he would be executed. Nevertheless, Gut helped Jews by secretly taking food to the ghetto and even hiding them. This is a well-acted film where everyone had to make a choice. Do you resist the occupiers? Do you ignore cries of help? Do you ignore the occupier's rules? Do you keep your head down and hope you survive the war? It was directed by Louise Archambault and stars Sophie Nélisse as Irena Gut. Gut has to repeatedly think on her feet and make the least-worst decision. Janice was 16 when her mother named Irena died.
On September 6 at 4 PM we joined some 100 filmgoers at the SNF Parkway Theatre, 5 W. North Avenue, Baltimore to see AMERICAN DOCTOR — a compelling film about three American doctors — Palestinian, Jewish, and Zoroastrian — who enter Gaza to save lives and find themselves confronting the complicated intersection of medicine, politics, and truth. The screening was followed by a Q&A with director Poh Si Teng, a U.S. citizen from Malaysia.
A former Al Jazeera journalist who had trouble getting funding for a documentary about the genocide in Gaza. She used up her life savings, $150,000, but more was needed to complete the documentary. She was able to raise an additional $200,000 in donations during trips to Malaysia.
A crucial decision was made early in the filming to show the carnage, including the killings of babies and many other children. I survived surgery on August 13 and had excellent care. If you were injured in Gaza, the hospitals which were deliberately being targeted, lacked basic medical supplies. An amputation might take place without sedation. The film focuses on three doctors who tried to bring in supplies despite the IDF's aim to withhold medical supplies and other necessities.
This film marks her directorial debut. She utilized two Gaza-based cinematographers, Ibrahim Al Otla and Christopher Renteria. They were embedded with the doctors while they faced food shortages and the threat of bombardment. They uploaded footage daily via a balcony at Nasser Hospital that was later destroyed in an Israeli strike that killed 22 people including journalists and medical workers.
AMERICA DOCTOR has footage of the doctors and others going on lobbying visits in D.C. Having been to Chuck Schumer's office, I knew the delegation would be met with disdain. Many legislators have Israeli flags outside their officers, as well as photographs of Israelis killed by Hamas. They did not see any photographs of martyred Palestinian women or children. The documentary also makes the point that the hospitals and medical personnel were intentionally targeted. There was some push back by the media hosts who accepted the Israeli propaganda that terrorists were at the hospitals. The doctors strongly denied the allegations.
One of scenes in the documentary which was most disturbing was when President Trump placed his arm around Prime Minister Benjamin Netayahu after his address to Congress. Trump trumpeted that "we" have been sending many bombs to Israel. And these bombs have been effective. The camera cuts into a bomb blowing up a residential area in Gaza.
By happenstance, I was the first to address the director. Thank you for this wonderful documentary. Thank you for bringing tears to my eyes. And thank you for including Dr. Terry Fitzgerald, a member of Chesapeake Physicians for Social Responsibility, who lives in Baltimore. To the audience, I indicated that Terry addressed the doctors from the film at a Jewish Voice for Peace convention. I pointed out that from 1977 to 1981, I was a Peace Corps volunteer in Botswana, which borders South Africa. I became quite aware of apartheid in South Africa. While I was in Africa, Israel aided the white-minority government in South Africa to obtain the apartheid bomb.
In 1989, I was part of a human rights delegation to Israel/occupied Palestine organized by the American Arab Anti-Discrimination Committee. It became clear that I witnessed Israeli apartheid. At that time, I was able to travel to Gaza, where I visited Al-Shifa Hospital which was bombed in the film, Jabalia, Rafah and Khan Yunis. I was taken into custody by Shin Bet and interrogated in my boxer shorts.
On April 9, 2024, Janice and I were arrested with 62 others shouting Free, Free Palestine in the Dirksen Senate Office Building Cafeteria. I look forward to your next documentary of the IDF attacks on Palestinian media. Thank you for this opportunity to speak.
Another audience member asked a question about the comparison between Gaza and the atomic bombings of Hiroshima and Nagasaki. The director indicated she is unable to quantify such an answer.
Finally, I am including another unpublished letter-to-the-editor of The Baltimore Sun about Mark Ruffalo. He is one of my favorite actors--Dark Waters, Spotlight, The Kids Are All Right, All the Light We Cannot See and Foxcatcher.
Letters to the Editor THE SUN Talkback@baltimoresun.com To the editor:
I have enjoyed very much Mark Ruffalo’s work as an actor and have been impressed by his social consciousness. So of course I have been following the allegations that he is antisemitic: “Jewish artists defend Mark Ruffalo amid Paramount’s allegations of antisemitism” [September 3, 2026, The Baltimore Sun].
Of course, antisemitism exists and must be condemned. However, when Larry Ellison, a financial supporter of President Donald Trump, makes such an allegation, I am very suspicious. Ellison is engaging in a right-wing takeover of media outlets. This controversy revolves around the fact that Ellison’s Oracle is assisting Israel in the killing of noncombatant Palestinians. Ruffalo made his point that there is an ongoing genocide in Gaza, which is no different than what innumerable human rights groups have said. The list is long—Amnesty International, the United Nations Commission, B’Tselem, Physicians for Human Rights and others.
I was impressed by the list of Jewish artists supporting Ruffalo, including Joel Coen, Tony Kushner, Todd Haynes and Sarah Kuntsler. The group’s letter made this conclusion: “It is, for us, the very essence of Jewish ethical duty.”
Kagiso, Max
Baltimore
410-323-1607
Donations can be sent to Max Obuszewski, Baltimore Nonviolence Center, 431 Notre Dame Lane, Apt. 206, Baltimore, MD 21212. Ph.: 410-323-1607; Email: mobuszewski2001 [at] comcast.net. Go to http://baltimorenonviolencecenter.blogspot.com/.
"The master class has always declared the wars; the subject class has always fought the battles. The master class has had all to gain and nothing to lose, while the subject class has had nothing to gain and everything to lose--especially their lives." Eugene Victor Debs