Published on Portside (https://portside.org/)
What the Media Forgot About David Crosby
Micah
Sifry
January
24, 2023
Medium
I am a very late
member of the Baby Boom generation, born in 1962. My first musical tastes
involved a membership in the Partridge Family fan club that I shared with my
younger sister. But I can date precisely when I woke up to the real music of my
youth and of the larger counterculture: it was sitting on a grassy field in
1973 at sleepaway camp, hearing for the first time the thrilling harmonies of Suite: Judy Blue Eyes played over the
PA system and wondering, who the hell was that? From that moment forward, I
became a fan of Crosby, Stills & Nash (and soon Young), and it was through
them that I came to discover the whole pantheon of 1960s rock and folk music.
So I was saddened,
as were many, by the news of David Crosby’s passing last Saturday at the age of
81. Reading and listening to many of the tributes and obituaries that appeared
after his death, though, I’ve been struck by how little most have said about
his politics. Yes, he deserves our attention for his seminal role in two great
bands, the Byrds and then CSN; and forgive me, for his seminal (semenal?) role
in helping singer Melissa Etheridge artificially conceive two children. His
battles with drug addiction and the law also belong in any balanced
appreciation of his life. But if you read the New York Times, the Washington Post, the Wall Street Journal or
any number of other obituaries, you’d know more about his consumption of drugs
along with his defense of menages a trois than you would about
his fierce radical politics.
Over the years, he
poured his musical stature into unpopular causes like opposing the Iraq War in 2006,
when CSNY played 33 venues (a project that was instigated mainly by Neil
Young); he sang benefit concerts for causes like opposing nuclear power and weapons, for
the 50th anniversary of
the Kent State shootings, to fight an anti-union campaign finance
initiative in California in 2012, as well as performing at Occupy Wall Street in 2011; and in
2022 he along with his old bandmates took their music off of Spotify to protest
its spreading of COVID misinformation. None of that got mentioned in any of the
obits I saw.
I suppose this is
old news; corporate mainstream media long ago sanded the politics off the edges
of the Woodstock Generation to make it easier to sell jeans and anniversary
concert tickets. But Crosby, like his former bandmate Young, never abandoned
his political values. When I saw him perform a solo show at New York City’s
Town Hall in 2015, between songs he ranted (perhaps a bit too long) about how
the Warren Commission had covered up the truth of who killed John F. Kennedy
and he lambasted America’s ever-increasing military budget. His 2019 NPR “Tiny
Desk Concert” with The Lighthouse Band includes a beautiful new song, Half
the Light, about letting women run the world, along with a great rendition
of Joni Mitchell’s anthem Woodstock. On Twitter, where Crosby
developed a whole new following, he expressed strong support for
climate activist Greta Thunberg, he decried despotism,
he slammed far-right
Republicans, he bashed rightwing billionaires — and that was all just a sampling
from his posts in the last few weeks.
For me, Crosby’s
singing stands for remembering and honoring those young people who dared to
change the world and shake America open by not conforming, at a minimum, or, at
a maximum, by giving their lives for causes like civil rights and ending the
Vietnam War. These were not small fights and it’s a shame to see them ignored,
belittled or condensed into tidy little packets of pablum. Young people are
always the innovators and the cannon fodders of movements for social change,
then and now. I can still hear Crosby crying, “Why? How many more?” in the counterpoint to the
“Four dead in Ohio” chorus of Young’s protest anthem Ohio, and know
that the question is still as relevant today as it was when that song was
written in 1970, days after the Kent state shootings.
Micah Sifry is co-founder Civic Hall.
Publisher of The Connector newsletter (find it on Substack). Board member
Consumer Reports.
Source URL: https://portside.org/2023-01-28/what-media-forgot-about-david-crosby
Donations can be sent
to Max Obuszewski, Baltimore Nonviolence Center, 431 Notre Dame Lane, Apt. 206,
Baltimore, MD 21212. Ph: 410-323-1607; Email: mobuszewski2001 [at]
comcast.net. Go to http://baltimorenonviolencecenter.blogspot.com/
"The master class
has always declared the wars; the subject class has always fought the battles.
The master class has had all to gain and nothing to lose, while the subject
class has had nothing to gain and everything to lose--especially their
lives." Eugene Victor Debs
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