Archeology of Memory: Villa Grimaldi
by Jessica Mosby
The Women's International Perspective
November 22, 2008
http://thewip.net/contributors/2008/11/archeology_of_memory_villa_gri.html
At the tender age of 19, Claudio Duran opened the door
of his
military secret police ready to arrest him. The officers
took him to Villa Grimaldi, ironically known as the
Palace of Laughter - a Chilean prison used by General
Augusto Pinochet after the 1973 military coup. At that
moment, he says, "my life changed." Duran (now known as
Quique Cruz) chronicles his imprisonment and the art
that helped him reconcile his painful past in the new
documentary Archeology of Memory: Villa Grimaldi. The
film debuted at the 2008
Duran, along with over 5,000 other artists, musicians,
and dissidents, was imprisoned and tortured at Villa
Grimaldi. After being exiled to
name to Quique Cruz to protect his family still living
in
Pinochet was arrested in
felt safe to discuss his past and return to
While working menial jobs and hiding his true identity,
he kept playing music because "through music you can
keep on dreaming." He later settled in Northern
California where he finished college and pursued a Ph.D.
at
come to terms with the identity and country he had long
tried to forget through art. The result is a series of
work - a musical suite, book, documentary film, and a
multimedia installation - all titled Archeology of Memory: Villa Grimaldi.
The 88-minute documentary does not recount the past in
chronological order, it is not a history lesson of
Cruz's life. Archeology of Memory: Villa Grimaldi, which
Cruz directed and produced with filmmaker Marilyn
Mulford, is a surreal reliving of the last 30 years.
From the Chilean cultural renaissance of the early 1970s
to Pinochet's military dictatorship, Cruz offers a
dream-like remembrance of the world as seen through his eyes.
Nothing is literally reenacted. Cruz describes his
torture while fictionalized flashbacks and symbolic
sequences accompany his words. The images are interwoven
with footage of Cruz's Latin-inspired concerts at the La
Peña Cultural Center in
evocative music that he wrote and performed as part of
the project expresses the pain of his exile in an
incredibly affecting way. Without being overly dramatic,
it is as if by playing music, Cruz is finally able to
heal from the past he long concealed.
Sadly, Cruz - now a bearded, middle-aged man - is hardly
alone in his hardship. The film follows Cruz as he
visits
friends who were also imprisoned for supporting Chilean
President Salvador Allende. Fellow artists and musicians
recount their own torture for crimes that were never
clear; one friend was sent to prison for making
"subversive birdcages" as part of an art installation.
For all of the haunting images on screen and the
horrific descriptions of Pinochet's secret police,
Cruz's interview with his elderly mother is truly
heartbreaking. The two sit on the porch of her rural
home as she relives the past, not knowing if her son was
alive or dead, having to burn all of the family's books
so as not to be perceived as "left-wing." After decades
apart, there is a sense of tranquility between Cruz and
his mother, but according to her, "we'll never really recover."
Cruz's declaration that "I came to this earth to play"
rings true. Archeology of Memory: Villa Grimaldi builds
to two spellbinding musical performances that elevate
the documentary from an interesting personal account to
a chilling piece of cinema. While visiting the former
site of Villa Grimaldi in 2001, Cruz starts an impromptu
percussion jam session, drumming away like his life
depends on it. Then, during a triumphant 2006
homecoming, Cruz performs the Archeology of Memory:
Villa Grimaldi musical set to an audience that includes
Chilean President Michelle Bachelet, who was also
imprisoned at Villa Grimaldi.
As the audience travels through Cruz's memory, the
healing process - not the torture - is what ultimately
resonates. The film is a testimony about the power of
art. Cruz has turned his painful past into something beautiful.
About the Author Jessica Mosby is a writer and critic living in
tchotchke.
A popular comedian active in
Zarganar was found to have violated the Electronics Act, which regulates electronic communications.
He is the latest in a string of opposition activists to be given long jail terms by the military government.
He was detained earlier this year for criticising the government's slow response to Cyclone Nargis in interviews with foreign news groups.
More than 100 activists have been sentenced over the past two weeks in a judicial crackdown across the spectrum of
Some people have been sentenced to terms as long as 65 years.
Many took part in protests against the ruling junta sparked by fuel and food price rises in August 2007.
'Staggering'
Zarganar led a group of entertainers who organised private aid deliveries to victims of Cyclone Nargis, which hit in May.
An outspoken satirist of the military government, Zarganar had already been arrested and jailed four times before he was taken from his home again by the authorities in June.
At the time, he seemed to think the government would have no problem with his activities.
"No, we never encounter any problems, because we negotiated with them, and we just want to pass our donation parcels. We just want to encourage our people - this is our duty," he told the BBC in an interview just before his arrest.
The BBC's
However, our correspondent says, it fits the pattern of other sentences given to more than 100 other dissidents over the past two weeks.
These include 65 years to the key members of the so-called 88 Generation of activists, and a total of 68 years to Ashin Gambira, leader of the monks' alliance that led last year's anti-government uprising.
Our correspondent says such breathtakingly disproportionate punishments send two clear messages from the generals who rule
This wave of trials has been condemned by the UN and rights groups, as well as the
Story from BBC NEWS:
http://news.bbc.co.uk/go/pr/fr/-/2/hi/asia-pacific/7741653.stm
Published: 2008/11/21 13:48:18 GMT
© BBC MMVIII
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