The Hiroshima-Nagasaki Commemoration Committee is hosting its latest FILM & SOCIAL CONSCIOUSNESS VIDEO SERIES. The theme is Poverty and its Manifestations. The second film in the series is WETBACK: THE UNDOCUMENTED DOCUMENTARY [
Wetback: The Undocumented Documentary is an 2005 Canadian documentary film, funded by the Canada Council for the Arts and written and directed by Arturo Perez Torres. The filmmakers follow Nayo and Milton (whose surnames are not given), migrants from Chinandega, Nicaragua as they cross through Honduras, El Salvador, Guatemala, Mexico, and the United States in their attempt to reach Canada. Along the way, other migrants are interviewed as they are detained by Mexican authorities. Catholic human rights workers in Chiapas also offer their perspectives, particularly on the abuse of migrants by gangs such as the
Doors open at 7 PM, and the DVD starts at 7:30 PM. There is no charge, and refreshments will be available. A discussion will follow.
Justice in
After years of protecting human rights abusers from prosecution,
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o guardian.co.uk, Saturday 24 October 2009 13.00 BST
When Uruguay goes to the polls tomorrow to choose a new president, this tiny South American country will teach itself, and the world, an important lesson: that burdens of injustice cannot be hidden for long. Or, to the more pragmatic, it will show that it is easier to deliver justice for past atrocities when the culprits are closer to the cemetery than they are to the courts.
The cycle of justice will then be completed to perfection. The Uruguayan congress in February and the supreme court this week ruled that the Ley de Caducidad "full stop" legislation is unconstitutional. And on Thursday
Cycles of history, however, are never as nice and round as they initially look.
Two decades ago, the Uruguayan public and its main democratic institutions stood exactly at the opposite corner to where they stand now. The supreme court upheld amnesty legislation in 1988, and the public approved it in a referendum in 1989. Twenty years is nothing, says a famous tango line by Carlos Gardel. But 20 years have been plenty when it comes to changing views on how to tackle the aftermath of the military brutality unleashed on both sides of the wide, brownish waters of the River Plate, in Argentina and
The circle in
To
Time is the justice that examines all offenders. But when it comes to politics, can time also be a cheap medicine for old, stubborn wounds? Late justice might amount to history-making rather than policy-making. The cases of
The question is whether re-opening those wounds to close them back again in new ways will be as harmless as it seems, or if it might trigger some new, unexpected internal conflicts.
• guardian.co.uk © Guardian News and Media Limited 2009
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"The master class has always declared the wars; the subject class has always fought the battles. The master class has had all to gain and nothing to lose, while the subject class has had nothing to gain and everything to lose--especially their lives." Eugene Victor Debs
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